| Gary Farrelly | |
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Lebt und arbeitet in Brüssel
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| 1983 | geboren in Dublin, Irland |
| 2006 | BA Fine Art, National College of Art and Design, Dublin |
| 2017 | MFA Vrije Kunsten, LUCA School of the Arts, Brüssel |
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Einzel, Duo- und Gruppenausstellungen (Auswahl)
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| 2019 |
Plenary Session 1 (OJAI), County Council Chambers, Wexford, Irland
Festival of Control (OJAI), CCHA Cultuurcentrum, Hasselt, Belgien
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| 2018 |
GLUE, GCCA Goldsmiths Center for Contemporary Art, London
20 Propositions, Salzburger Kunstverein, Salzburg, Österreich
BAU036 (OJAI), Gold + Beton, Köln Letters of Last Resort (OJAI), Damien & the Love Guru, Brüssel State of Statelessness (OJAI), ISELP, Brüssel |
| 2017 | Jonge Kunstenaars 2017, De Directeurswoning, Roeselare, Belgien I spy, I spy a little lie..(OJAI), Marres - Centre for Contemporary Culture, Maastricht, Niederlande A Hard Place, 500X Gallery, Dallas, USA Fruit Solutions (OJAI), Laura Mars Gallery, Berlin Reviewing Authorship (OJAI), LUCA School of the Arts (MA graduate show), Brüssel, Belgien Low Hanging Fruit (OJAI), Grölle Pass Projects, Wuppertal |
| 2016 | Heimat Plan, Groelle Pass Projects, Wuppertal Neue Heimat, Galerie Weisser Elefant, Berlin Sturm der Liebe, Establishment d'en face, Brüssel Ultramodern, Galerie Lisi Haemmerle, Bregenz, Österreich ONE on ONE, Clovis XV, Bruüssel Nur Nicht Nach Hause, Galerie Zwitschermaschine, Berlin |
| 2015 |
Policy Documents (solo show), Museum Quality, New York, USA
GLUE - Oisin Byrne and Gary Farrelly, Groelle pass:projects, Wuppertal Recherches 15, TAMAT Mussee de la Tapisserie, Tournai, Belgien |
| 2014 | EXCEPTIONALITIES, Museum of Contemporary Art, Banja Luka, Bosnien |
| 2013 | Going Postal, RE Gallery, Dallas, USA |
| 2012 | Control Tower, Parking Projects, Tehran, Iran |
| 2010 |
The Non-Profit Margin, Central Trak Gallery, Dallas
International Roaming Biennial, Parking Projects, Tehran, Iran
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| 2009 | Plans, Sections and Elevations, Royal Institute of Architects, Dublin |
| 2008 | Kunstbureaucracy (solo show), Galerie W, Paris, Frankreich |
| 2007 | [C]artography: map-making as artform, Crawford Municipal Art Gallery, Cork, Irland Don’t Cry Work, The Back Loft, Dublin |
| 2006 | Saddam International Airport (solo show), Temple Bar Gallery and Studios, Dublin |
| 2005 | Quadrant- The Young Contemporaries, Bell Table Arts Centre, Limerick |
| Stipendien | |
| 2018 | Three-month residency, AIR Antwerpen, Antwerp, Belgien |
| 2015 | One-year residency, TAMAT Textile Museum, Tournai, Belgien |
| 2010 | Six-month residency, Artist in residence program, University of Texas, Dallas, US |
| 2007 | One-month residency, Pilotprojekt Gropiusstadt, Berlin |
| Weitere Projekte | |
| 2019 |
European Conference of Institutional Ideators. Organised by Office for Joint Administrative Intelligence at Groelle Pass Projects, Wuppertal (opens October)
Debates on Division, Performer and researcher for a performance by Gluklya and Anna Bitkina, Bozar, Brussels
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| 2018 | LUCA Open Academy. Inherited Resistance & Young Resilience, curated by Els Opsomer, performative lecture, Centrale for contemporary art, Brussels |
| 2017 |
A Hard Place. Commission from the University of Texas, Dallas to curate an exhibition combining architectural and contemporary art practices
Visiting lecturer, La Cambre- Ecole nationale superieure des visuels, Brussels
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| 2016 | The Fools, The Fools, The Fools. Performative lecture in the context of a symposium curated by Ella De Burca at St. Ita's Mental Hospital, Dublin |
| 2015 | Visiting lecturer, La Cambre- Ecole nationale superieure des visuels, Brussels |
| 2012 | Spin Off: Graphic Texts. Panel discussion with Dr. Marshall Armintor, Gary Farrelly, Noah-Fleisher and Charles Dee Mitchell at the MAC, Dallas |
| 2010 | ART WORK: A Local Conversation About Art, Labour, and Economics. Contributor to symposium hosted by Michael Corris and Carolyn Cortor, Southern Methodist University, Dallas |
| Presse (Auswahl) | |
| Hyperallergic Magazine, 1/2/2019 (USA) An Intimately Filmed Portrait of a Willfully Fragmented and Mutable Persona Review by Rosa Abbott |
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| Metropolis M , Eindexamens 2017 (NL) Gary Farrelly, Intutief Archief van Tamara Beheydt |
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| Perspektive Magazine, 88/89, 2017 (AT) | |
| Der OJAI Transparency Act, literary collaboration with D Holland-Moritz |
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| #AI Magazine/ The Art Review, winter 2017 (IT) La frutta sui rami pi bassi Interview conducted by ScAle Architects |
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| Tagesspiegel, 10.03.2016 (DE) Global egal by Matthias Reichelt sieht sich mit schrägen Statistiken konfrontiert Chris Dreier und Gary Farrelly: Fruit Solutions |
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| TAZ, taz.plan, 23.02.2016 (DE) Wir haben keine Geheimnisse: Selbstinstitutionalisierung in der Post-Bürokratie Chris Dreier und Gary Farrelly: Fruit Solutions von Noemi Molitor |
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